Cañada College
English 165AA: Advanced Composition/Critical Thinking
Clay, Spring, 2009
3.0 Units.
transfer: CSU, UC. prerequisite: English 100.
Section AA, CRN #31140, TTh 9:45-11:00 Room 13-0114
Instructor: David Clay email: clayd@smccd.edu
web page:<http://smccd.net/accounts/clayd/>
telephone (650)306-3379
office hours: room 3-242, MW 10:30-11:30, TTh 1:00-2:00 & by arrangement
Course Description
This is an advanced course in non-fiction writing, emphasizing critical
thinking and critical reading skills. One by arrangement hour of lab
per week is required.
Texts
Cooper. Writing Logically, Thinking Critically. 5th ed.
Gore, Al. An Inconvenieent Truth.
Hacker. Rules for Writers. 5th ed.
Hours by Arrangement Folder (in bookstore)
Other text materials may be assigned.
Course Objectives: Upon completion
of this course, the student will be able to:
A)Read critically, and evaluate ideas from a variety of culturally,
ethnically, and gender diverse sources to:
1. identify and state the main idea, thesis, or unifying theme in
expository and argumentative prose
2. identify and analyze the structure of arguments underlying texts
3. identify instances of inferential reasoning, and of inductive and
deductive logic
4. distinguish facts from judgments
5. evaluate the validity and soundness of arguments
6. recognize and clearly state assumptions (including unstated, critical,
ethical and/or gender- based assumptions) in an argument
7. draw and justify inferences about the intentions of the author,
based on student observation of the author's uses of language
8. identify common logical fallacies
B)Write a progression of compositions beyond the ENGL 100 level, which
demonstrate continued development in writing college-level prose to:
1. employ, in a number of substantial essays, various writing strategies
such as analysis, synthesis, and summary, that emphasize argumentative
modes of development, including causal analysis, evaluation, refutation,
or interpretation
2. limit the topic appropriately to a scope that can be dealt with
responsibly, given the length of essay
3. establish and state clearly a unifying thesis or proposition
4. select evidence such as details, data, definitions, and principles
to support or validate the thesis
5. organize main parts of the composition, defining a sequence that
contributes to clarity and to the purpose of the writing
6. provide for coherence in and between paragraphs
7. rephrase written arguments accurately, producing a faithful distillation
of the central meaning of a given text
8. discover, evaluate, and use outside sources, including the use
of the conventions of documentation, for use in the development of
the student's own writing
Course Activities
Large group discussions led by the instructor
Small group discussions and collaborations
Class presentations
Brainstorming, prewriting, outlining, rough draft evaluations, final
drafts, revisions of critical essays, peer evaluations, outlining
and paraphrasing
In-class quizzes and examinations
Writing 8,000 to 10,000 words of expository prose, including 5 essays
16 hours "by arrangement" out of class work
Evaluation
Grades will be determined by the instructor's evaluation of
Mid term and final examinations (20%)
Essays 60%)
Summaries, Analyses, In-class assignments (10%)
Class participation (5 %)
By arrangement hours (5%)
Policies
Late Papers: Assignments are due on the dates shown
on the assignment sheets. If special circumstances occur, please discuss
the situation with me. I know that we all have lives.
Attendance You may be dropped from the class if you
miss more than 4 classes.
Plagiarism: Don't even think about it. All writing must be your own
work, and the development of your essays must be evident to me in
the notes, outlines, and rough drafts that are turned in with every
essay. A rough draft should be rough; don't worry about neatness on
the developmental material and do not copy it over after you have
completed the final draft. You may not hand in essays that you have
written for previous classes, as the whole point of this class is
to develop your writing further. Any work that contains plagarized
material will receive and "F" with no credit.
Revisions: Your are welcome to revise one or two
of your papers. Please discuss this with me, and be sure to hand the
original paper along with the revision.
Essay Format: All of your work written outside of
class must be typed, double spaced, with the class heading on the
first page. Attach all preparatory work to the back of the final draft.
Use MLA style.
Plagiarism: Don't even think about
it. All writing must be your own work, and the development of your
essays must be evident to me in the notes, outlines, and rough drafts
that are turned in with every essay. A rough draft should be rough;
don't worry about neatness on the developmental material and do not
copy it over after you have completed the final draft. You may not
hand in essays that you have written for previous classes, as the
whole point of this class is to develop your writing further. Any
work that contains plagarized material will receive and "F"
with no credit.